| |
Glorious Life --- Wang Qingsong
by DIGI,
Czech Art Magazine, 2004
| |
Which
camera (or cameras) do you use now and with which camera
had you started your photographic work?
WQS: Now I use 8 by 10 camera. Before
I used many different kinds of camera from 35mm Minota
automatic camera to 4 by 5 camera. Now I use only 8 by
10 large camera for shooting the photographs.
You
also use digital treatment on your photos. Can you give
us more technical details about it?
WQS: Yes, in my early photographs, I
used more computer digital treatment. Only when I felt
that I had to use photoshop, I would use it. In my early
photographic works, I minimized figures to show the less
importance, cropped some unnecessary parts and filled
in the imperfect parts with what I felt much better stuff.
I don’t like to use computer technique now. I try
to avoid using computer technique to the minimum right
now.
Which
camera (or cameras) do you use now and with which
camera had you started your photographic work?
WQS: Now I use 8 by 10 camera. Before
I used many different kinds of camera from 35mm Minota
automatic camera to 4 by 5 camera. Now I use only
8 by 10 large camera for shooting the photographs.
You
also use digital treatment on your photos. Can you
give us more technical details about it?
WQS: Yes, in my early photographs,
I used more computer digital treatment. Only when
I felt that I had to use photoshop, I would use
it. In my early photographic works, I minimized
figures to show the less importance, cropped some
unnecessary parts and filled in the imperfect parts
with what I felt much better stuff. I don’t
like to use computer technique now. I try to avoid
using computer technique to the minimum right now.
|

Prisoner,
1998 |
| 
Thinker,
1998 |
Who
was your photographic example? The critics compare
you wit French duo Pierre and Gilles.
WQS: I think I don’t have
photographic examples in particular.
If something ever makes influence on me, I think
Chinese revolutionary posters and realistic ideas
presented in Model Opera in 1960s-70s because I
was educated in this kind of artistic ideas. I choose
what fits my ideas and shoot in photograph. Each
of my art works is shot to the topics and concerns
I care about even if people find similarities of
my works to those of Jeff Koons, Pierre and Gilles,
Jeff Wall, Cindy Sherman, and etc, to name just
a few, most of whom are unfamiliar to me. It is
logical that they think as such because photography
was invented in the west. It is more important for
the critics and myself that they can identify my
art works at first sight. They know my own features
and styles too.
|
You
have started your artistic career as a painter. I
have read that you did not want to take the photos,
because the photo’s technology came to China
from the west, but then you realized that the oil
colors are also a western invention. Seeing your person
just from this point, it sounds like you really do
not like the western culture.
WQS: Yes, I studied oil painting
in the fine arts academy and I did not like photography
that much at the very beginning. When I found my art
works would be expressed much better with photography,
I switched to applying this media. Of course, one
can read and find my education in painting in terms
of constructing the photograph more completely and
in nice colors.I
never negated western culture though I favor more
realistic art works than abstract paintings in the
west. I care least the art forms that western painters
care most. Maybe it has something to do with the realistic
education in China. |

Another
battle series no.8, 2001 |
| 
Thorny
Ivy, 2004 |
Czech
republic belongs to the countries of the post-communistic
Eastern Europe, but the system changed there 15
years ago. China is still communistic country, even
the conditions are better than a few years ago,
and much better than during Mao’s domination.
There is going to be an exhibition in London of
a Chinese photographer Li Zhengsheng, who refused
to destroy his photos from the Cultural Revolution.
But you belong to modern artists. What are yours
experiences with the communistic system in China?
WQS: I don’t like politics.
I only express my attitudes on culture at the current
social setting. Even if China has never separated
between politics and culture since its founding,
my art works focus more on culture and try to avoid
politics. Though my works can not be seen in government-run
museums, sometimes they can be seen in public places
like gallery space in China.
Have
you ever have any problems with the communists because
of your work? The communists are against the religion,
but you took some photos with this topic.
WQS: Sometimes people misread and
misinterpret my art works. This is not a bad thing
for me. Actually I often use Buddhism not from its
religious sense. Rather I look at its cultural significance
in this commercial society. Therefore it should
have no conflicts with communists who sometimes
take my art works as anti-capitalism. Just like
you “misread” my art works as anti-religion,
I feel it is good too since people have all different
interpretations based on their own life and social
experiences.
I
have a feeling from your photos that you are against
the globalization. But is not another side of the
globalization the fait that you can show your photos
at the exhibitions in Europe, in USA?
WQS: I feel my art works are not
simply anti-globalization. People in China need
communication and open-up after so long time of
closure. So in this sense I think globalization
is a good thing. I am against too much dependence
on western stuff because it brings forth a lot of
social conflicts and confusion to people. For example,
McDonald’s opens one franchise store in three
days which is a very strange thing. It brings out
a lot of terrible confusion not only in China but
also in the United States if such things happen.
This globalization will not be acceptable to anyone
in the world. I am sure Czech people will get crazy
and troubled if such things happen in Czech Repulic
too.
|

Tramp,
2004 |
I
have a feeling from your photos that you are against the
globalization. But is not another side of the globalization
the you can show your photos at the exhibitions in Europe,
in USA?
WQS: I feel my art works are not simply
anti-globalization. People in China need communication
and open-up after so long time of closure. So in this
sense I think globalization is a good thing. I am against
too much dependence on western stuff because it brings
forth a lot of social conflicts and confusion to people.
For example, McDonald’s opens one franchise store
in three days which is a very strange thing. It brings
out a lot of terrible confusion not only in China but
also in the United States if such things happen. This
globalization will not be acceptable to anyone in the
world. I am sure Czech people will get crazy and troubled
if such things happen in Czech Repulic too.
these years. I often find missed stuff when I look back
at my art works previously done.
We
say in the Czech republic if we see a falling star that
we can make a wish, which will become the true. When I
have seen your photo Look up! it reminded me this superstition
– Look the Coca cola is falling – make a wish.
What should be your wish if you see a falling star?
WQS: China has this similar superstition
as Czech republic. I often make wishes though they never
came true. Now I still make wishes that my art works can
be produced successfully and more people can see and understand
my art works. The first major wish is of course, that
I can live longer to produce more and better art works.

|
|