Selected Publications of Wang Qingsong's Art Works

(1997-2007) 

Chinese Magazines:

• Chinese Art News, May 2000, Special report on 2000 Gwangju Biennale, by Gomelan Gengis Khan, p.77, “Catcher”, “Prisoner”, “Thinker”, “Requesting Buddha No.1 and No.2”. (Color illustration)
• Northern Fine Arts, Feb. 2001. P.67, “New Women” (Color illustration)
• Vision 21, Issue August 2001. “One Person’s War”, Wang Qingsong, Imges:Another Battle Series, No.1, No.6, No. 5, No.7 and No. 8. (Color illustration)
• Newsweek, 2002 Issue 100. Cover images “Future”. (Color illustration)
• That’s Beijing, May 2002. “Run, Jump, Climb,Walk… Through hoops”. P.35, “Past, Present and Future. (Color illustration)
• Contemporary Art, Issue 15. --- Context and Position of Gaudy Art, “The Times make me choose myself”, pp.30-31, Computer-collage of grafting my own heads onto the pop stars”, 1997, including series of “Our Life is Sweeter than Honey.” (Color illustration)
• Contemporary Art. Issue 002, “Normality and Abnormality”, Gu Zhenqing&Jin Feng. P.38, “New Women” and “Finding Fun”. (Color illustration)
• Portrait Photography, January 2003, “Irony of Gaudy Colors”, Interview of Wang Qingsong with Shi Wei. Pp.41-43. “Past, Present and Future”, “Knickknack Peddler”, and “Preschool”. (Color illustration)
• Contemporary Art, 2003.05. “From Facing Wall to Facing Colorful World” by Dang Dan. Pp.40-41, “Night Revels of Lao Li”. Color illustration.
• Photo China, May 2003, From Conceptual Photography to New Photography, Shu Yang, P.29. “New Women”. P. 33, “Sources of New Photography”, Gu Zhenqing, “Preschool”. “I Choose Photography”, Wang Qingsong, P.40-41. “Sentry Post”, “Art Express”, “Can I Cooperate with You?”, “Ethereal Beauty”. (Color illustration)
• Arts Criticism, October 2003, “About Critique”, Lin Gufang, P.79. “Past, Present and Future”. (Black and white illustration)
• Women of China, October 2003. Chinese Art: “More Than Just a Vogue”, Christine Lionnet. Pp.48-49, “Night Revels of Lao Li”. (Color illustration)
• Photo Pictorial, Issue 465. “Chinese Photography 360 Degrees, Satirizing the Times”, artist statement by Wang Qingsong, PP.1-10. “Can I Cooperate with You?”, “Follow Me”, “Prisoner”, “Incarnation”, “Thinker”, “Requesting Buddha No.1”, “Past, Present and Future”, “New Women”, “Preschool”, “Bath House”, “Romantique”, and “Another Battle Series No.8”. (Color illustration)
• Photo China, April 2002, “Ridiculous Reflections”, Wang Qingsong, pp.56-59, “Past, Present and Future , Another Battle Series No.4, No.6, No.3, No.5 and No.8”. (Color illustration)
• Art Observation, August 2000, “Satirizing this Society”, pp.36-37. “Adam and Eve”, “Our Life is Sweeter than Honey”, “Catcher”, and “Thinker”. (Color illustration)
• Chinese Culture World, June 1999. p.37, “Thinker”. (Color illustration)
• New Weekly, Issue 227, May 2006. “What is Dinner Appointment?” pp.28-29, “Night Revels of Lao Li”. (Color illustration)
• Pop Culture and Art, Zou Yuejin. Pp.136-137, “Take up the Pen, Fight till the End, “Requesting Buddha No.1”, “Thinker”, “Prisoner”. (Color illustration)
• Chinese Photography Magazine, November 2006. “Reflections on how to be an artist recognized internationally?” by Luo Bu. P.34, “Night Revels of Lao Li” and “Competition”; p.35, “Follow Me”; p.36, “Present”; p.37, “Future”; p.38, “Another Battle Series No.6”; p.39, “Past”. Color illustration.
• Focus on Art, 2007.11. pp.198-199, “Dream of Migrants”; pp.200-201, “Dormitory”;pp.202-203, “Come! Come!”. Color illustration.

Chinese publications/catalogues

• Taipei Biennale, 1998, Taipei Fine Arts Museum. pp.066-069. “Last Supper”, “Chinese Hero”, “Our Life is Sweeter than Honey”.
• Ouh La La Kitsch!, Liao Wen, 1999, pp.30-33. “Thinker”, “Requesting Buddha No.1”, “Old and New Soldiers”, and “Adam and Eve”. (Color illustration)
• Annual Exhibition of Chinese Photography and Video 2001. Curated by Guo Gai, essay by Li Xianting. (Black and white illustration)
• Dialogue between Cameras, edited by Su Zhigang, Jilin Photography Publishing House, 2003, pp.204-221. “Last Supper”, “Another Battle series No. 8”, “New Women”, “Can I Cooperate with You?”, “Bath House”, “Take up the Pen, Fight till the End”, “Requesting Buddha No.1”, “Another Battle Series No.2”, “Night Revels of Lao Li”. (Black and white illustration)
• Insider’s Guide to Beijing, 2004-05. Edited by Adam Pillsburg. pp.184-185. “China Mansion”. (Color illustration)
• Maze of Self Images, edited by Gu Zheng, Shanghai Photo Pictorial Publishing House. P.60. “Another Battle Series No.8”. (Black and white illustration)
• Gaudy Art, edited by Zou Yuejin and Wan Xiaoping, Hunan Fine Arts Publishing House. Pp.134-147. “Thinker”, “Another Battle Series No.6”, “Can I Cooperate with You?”, “Future”. (Color illustration)
• Sanya Photography Gallery, Shanghai, Zeit-Foto Salon, Tokyo. Nov.2000. p.67. “Night Revels of Lao Li”.
• Unusual & Usual, Contemporary Art Exhibition. Edited by Gu Zhenqing. Shanghai Yuangong Modern Art Museum. 2000. pp. 78-81, “Night Revels of Lao Li”, “Finding Fun”, “Bath House”, “Can I Cooperate with You?”, “New Women”. (Color illustration)
• Too Much Flavor, Edited by Gu Zhenqing. pp.94-97. “Preschool”, “Past, Present and Future”, “Incarnation”, “Preincarnation”. (Color illustration)
• Red Hot, Curated by Brian Wallace and Karen Smith. 2001. pp. 26-29 . “Thinker”, “Requesting Buddha Series No.1”, “New Women”, “Can I Cooperate with You?”, “Catcher”. (Color illustration)
• Senseless Exhibition catalogue, 2001. pp.15-18, “New Women”, “Another Battle Series No.3 and No.7”. (Color illustration)
• China 2001 Dialogue-The Other-Italy 2002. pp.28-29. “Past, Present and Future”.
• Let’s Go! 2002. Curated by Xindong Chen. P.16 “National Football Star”. P.50. “Forum”. (Color illustration)
• 2002 Pingyao International Photography Festival. P.68, “Past, Present and Future” (Color illustration)
• A Strange Heaven—Contemporary Chinese Photography, Edited by Susan Acret, 2003. pp.118-119. “Night Revels of Lao Li”. (Color illustration)
• Fine Arts Literature: Special Issue on Contemporary Photography. Cover Image “Look up! Look up!”. Pp.18-21. “Bath House” , “Can I Cooperate with You?”, “Night Revels of Lao Li”(p.18), “Finding Fun”,? “New Women”, (p.19), “Another Battle Series No.5”, “Another Battle No.6” and “Another Battle No.4. (p.21). (Color illustration)
• Spellbound Aura, The New Vision of Chinese Photography, Edited By Hsieh Su-chen, pp.156-161, “Night Revels of Lao Li”, “Knickknack Peddler”, “Bath House.” (Color illustration)
• Women of China, October 2003. Chinese Art: “More Than Just a Vogue” by Christine Lionnet. Pp.48-49, “Night Revels of Lao Li”. Color illustration.
• 2004 Wuhan The First Nominative Exhibition of Fine Arts Exhibition catalogue. Pp.15-17. “Follow Me” (p.16). “Knickknack Peddler” (p.17.)
• Song Zhuang Artists Group, pp.135-136, “Wang Qingsong portrait” and “Catcher” (Black and white illustration). Pp.318-319. “Thinker”, “Finding Fun” and “Another Battle Series No.6” (Color illustration).
• Chinese Avant-Garde Photography since 1990, Hunan Fine Arts Publishing House, edited by Zhu Qi, 2004. p.17 “New Women” (black and white illustration). Pp. 234-239. “Bath House”, “Finding Fun”, “Bath House No.2”, “Night Revels of Lao Li”, “Another Battle Series No.5, No.3 and No.6 (p.238). Past, Present and Future (p.239).
• ?“Re-viewing” 2005 Guangzhou International Photography Biennale. Lingnan Fine Arts Publishing House. Pp. 108-111, “Competition”, “Follow Me” and “Tramp:” (Color illustration)

Foreign Magazines

• Diario, Numbero 17/18, Maggio 2000, Italy. “China Pop Art”, pp.60-61, “Last supper”; p.61, “Requesting Buddha No.2” and “Requesting Buddha No.3”; p.62, “Our life is sweeter than honey” and “Adam & Eve”; p.63, “Catcher”; p.64, “Old and new soldiers” and “Take up the pen, fight till the end”; p65, “Prisoner”. Color illustration.
  1. GIOIA, Maggio 2000, Italy. “Qui Torino La Cina e Vicina”, by Tatiana Agliano. Pp.198-199. “Thinker”. Color illustration.
  2. International Center of Photography 2001-2002 Report. P.52, “Night Revels of Lao Li”. Color illustration.
  3. Beaux Arts Collection, Paris-Pekin Exposition. 2002. France. Cover image. “Night Revels of Lao Li”. Black and white illustration.
  4. art actuel, Mai-Juin 2002, “Wang Qingsong Coca+McDo=Chineko”, by Marc Heneau. p.18, “Requesting Buddha series No.1”; Pp.18-21, “Night Revels of Lao Li”; p.21, “Finding Fun”. color illustration. “Requesting Buddha Series No.1”, “Night Revels of Lao Li”, and “Finding Fun”.
  5. POINT DE VUE, Jan. 2002, France. “L’Art Nouveau Chinois” by Francois Billaut. “Requesting Buddha No. 1”, pp. 33, color illustration.
  6. Art in America, April 2003. “Picturing China, Old and New” by Richard Vine. USA. “Past”, P. 50. color illustration.
  7. European Photography, Number 73/74. 2003. Germany. “Qingsong WANG”. P57, “Look up! Look up!”; pp.58-59, “New Women”; pp.60-61, “Can I Cooperate with You?”; pp.62-63, “Knickknack Peddler”. Color illustration.
  8. Big Magazine, No.40, Spain. Photography/ Qingsong-song Wang. Pp.48-49, “Can I cooperate with you?”; pp.50-51, “Finding Fun”; 52-53, “Another Battle Series No.8”; p.54, “Another Battle Series No.4”; p.55, “Another Battle Series No.6”. Color illustration.
  9. Propaganda, de Mao and Coca Cola. 2003. p. 33, “Look up! Look up!”; p.34, “Can I cooperate with you?”; p. 35, “Past, Present and Future”. Color illustration.
  10. Prefix Photo, No.9. 2003. Canada. pp.1-2. “Can I Cooperate with You?”; pp.6-9. “Knickknack Peddler”. Color illustration.
  11. CRITICAL MASS: Beijing London. 2003. p. 65, “Three Graces”; “p.67, “Finding Fun” and “Beggar”; p.69, “Knickknack Peddler”. Color illustration.
  12. NOORDERLICHT X magazine 2003. Cover image “Bath House”. p.7, Detail of “Bath House”; p.47, . “Forum”. Color illustration.
  13. Frontier, March-April 2004, USA. “Thinker”, p.26. color illustration.
  14. Yishu, Journal of Contemporary Chinese Art, Canada. June 2004. p.33, “Thinker”; p.34, “Beggar”.color illustration.
  15. ART FORUM, MAY 2004. p4, detail of “Romantique”. color illustration.
  16. The New York Times Magazine, May 30 2004. “Party Revisionism” by Michael Kimmelman. Pp.40-41, “Night Revels of Lao Li”. (color illustration)
  17. Museums New York, special edition 2004, USA. “Between Past and Future: New Photography and Video from China”. P.10. detail of “Night Revels of Lao Li”. Color illustration.
  18. NY Arts Magazine, Vol.9 n.7/8 2004. USA. Cover Image: “Follow me”. Pp.22-23, “Romantique” and “China Mansion”; p.22, “Night Revels of Lao Li”; p.23, “Follow Me” and “Red Peony”. Color illustration.
  19. The New York Times Magazine, May 30, 2004/Section 6. “Party Revisionism” by Michael Kimmelman. pp. 40-41, “Night Revels of Lao Li”, color illustration.
  20. Duowei Times, June 25, 2004. “People with Desires: the humor of “Gaudy Art”, by Lu Shuping. B9, “Night Revels of Lao Li”, “Preschool”, “Requesting Buddha series No.1” and “Catcher”. Color illustration.
  21. PARACHUTE contemporary art, 117, <Design>. 017, 2004. Canada. “Wang Qingsong: Salon 94, New York, May23-July 21, 2004” by Jonathan Goodman. p.3. “Night Revels of Lao Li”, black and white illustration.
  22. Arte, Giugno/Luglio 2004. Italy. pp.52-53. “Romantique”. Color illustration.
  23. Art in America, June/July 2004. USA. “The Academy Strikes Back” by Richard Vine. Pp.136-137, “China Mansion”. Color illustration.
  24. Corriere Della Sera Magazine, Numero 4, del 3 Giugno 2004, Italy. ARTE: A Oriente sorge l’avanguardia, p.98. “Future”. Color illustration.
  25. Museums of Contemporary Art, newsletter, Chicago, USA. Fall 2004. Cover image. Detail of “Night Revels of Lao Li” and inside two-page spreads of “Night Revels of Lao Li”. This image is also used for the special preview invitation card for the exhibition of “Between Past and Future: New Photography and Video from China” traveling to show in MCA Chicago.
  26. EXIT Express, Julio-Septiembre 2004. Spain. “Imagenes de Historia” by Rosa Olivares. P.21. “Past, Present and Future”. Color illustration.
  27. Zoom magazine, Italy. September-October 2004. “Behind the Lens: Wang Qingsong”, by Eleonora Batthison. pp. 12-13 “Another Battle Series No.8”, “Another Battle Series No.6”; pp.14-15, “Night Revels of Lao Li” and “Ethereal Beauty”; p.16, “Preschool” and “Follow Me”; p.17, “Preincarnation” and “Incarnation”. Color illustration.
  28. Eyemazing Issue 5, Winter 2004, the Netherlands. “Wang Qingsong: The Viewer and the Viewed” by Tyler Whisnand. P.32, “Prisoner”; p.33, “Ethereal Beauty”; pp.34-35, “Knickknack Peddler”; pp36-37, “Night Revels of Lao Li”, “China Mansion” and “Romantique”; pp.38-39, “Follow me”. Color illustration.
  29. PC Photo, Settembre 2004. Italy. “Wang Qingsong”, by Eleonora Battiston. p10, “Bath House”; p.11, “Incarnation-left” ; p.12, “Catcher”; p.13, “Finding Fun”pp.12-13, “Romantique”; p.14, “Look up! Look up!” and “Knickknack Peddler”. Color illustration.
  30. Museums New York, Fall/Holiday 2004. USA. “Going the extra miles: Top 10 shows in the USA.”. p.158. “Future”. Color illustration.
  31. Museums Washington, Fall/Winter 2004. USA. “Going the extra miles: Top 10 shows in the USA.”. P.114. “Future”. Color illustration.
  32. Museums Boston, Fall/Winter 2004. USA. “Going the extra miles: Top 10 shows in the USA.”. P.114. “Future”. Color illustration.
  33. Camerawork, Vol.31,No.2, Fall/Winter 2004. “Preincarnation”, p.19. black and white illustration.
  34. EXIT Book, No.3 2004. Spain. “Another battle Series No.6”, p. 79. black and white illustration.
  35. “arco” contemporary art, Spain. number 33, autumn 2004. “Art of the New Millennium in the People’s Republic of China: the Artist in a Landscape of Transition”. By Sara Badia Villaseca, Perspective 12, “China Mansion”, color illustration.
  36. NextLevel, Edition 01 Volume 03. 2004. U.K. “Glorious Life”: Wang Qingsong. pp.074-075, “Romantique”; pp.076-077; “China Mansion”. color illustration.
  37. MATCH en Chine n°6 novembre-decembre 2004, France. p18, “China Mansion” and “Romantique”. Color illustration
  38. BLAST, Paris, France. #15, Novembre/Decembre 2004. “Sex Party” by Mathilde Serrell et Thomas Lamande. Pp. 46-53. “China Mansion”; pp.66-67. “Follow Me”; p.74. “Birth of Magnificence”. Color illustration
  39. EXIT 21: Remakes. 2005. Spain. Pp.18-19, “China Mansion”; pp.22-23, “Romantique”. Color illustration.
  40. ?Artlink, Contemporary Art Quarterly, Vol.23 No.4. “A Lens on Diversity” by Huang Du, p.50, “Can I Cooperate with You?”;54-55, “Night Revels of Lao Li” and “China Mansion”. Color illustration.
  41. Walrus, December/January 2005, “Incarnation”, p.83. color illustration.
  42. TAIDEMUSEO.FI, 02>2005, Newsletter, Finland. pp. 14-15, “Night Revels of Lao Li” color illustration.
  43. ARRAS Pays, Feb. 2005, France.. “Present”. Color illustration.
  44. La Voix du Nord, 27 Mai 2005. France. “Future” . Color illustration.
  45. Programme Ville Transphotographiques, 5 Juin 2005. France. “Future”. Color illustration.
  46. Arras actualities – no. 193, Juin 2005. France. “Wang Qingsong denonce la nouvelle: revolution culturelle chinoise” by Claude Marneffe. “Future” and “Present”. Color illustration.
  47. The Guardian, g2, 13.09.2005, London, UK. “What are you looking at?” by Adrian Searle. p.18. “Past”. pp.18-19. “Present”. Color illustration.
  48. Flash Art, Vol.XXXVIII, no.241. March-April 2005. “Focus China: Red Hot: A Survey of Contemporary Chinese Art.” p.93, “Competition”. color illustration.
  49. Drome magazine, Maggio 2005. Italy. “Wang Qingsong” by Francesco Paravati. p.15. “Thinker”; p. 16, “Preincarnation” and “Catcher”, p.17, “Another Battle Series No.4” and “Another Battle Series No.6”, p.18, “Offering”. color illustration.
  50. art.es. International Contemporary Art, no.8 Marzo Abril/2005. “Wang Qingsong”. Pp.76-77, “Billboard”. Color illustration.
  51. PHOTO TECHNIK INTERNATIONAL, MAI/JUNI 2005. Germany. “Reich der Mittel” by Anne Kotzan. Pp.42-43, “China Mansion” and “Romantique”; pp.44-45, “Night Revels of Lao Li” and “Follow Me”; p.46, “Preschool”, “Knickknack Peddler”, “Can I Cooperate with You?” and “Beggar”. Color illustration.
  52. Art in America, June/July 2005. “Through a Chinese Lens”, by Richard Vine. p.100, “Competition”. color illustration.
  53. The Observer Magazine, September 2005, UK. “State of the Art”, by Gaby Wood. P.29. detail of “Night Revels of Lao Li”. Color illustration.
  54. TOTALTELECOM，October 2005. Cover image: detail of “Night Revels of Lao Li”. P.24-25, “Mobile Society” by Ingrid Lunden & Craig Stephen. “Night Revels of Lao Li”. Color illustration.
  55. Yishu, Journal of Contemporary Chinese Art, SEPTEMBER 2005. Canada. p.58, “Archaeologist”. color illustration.
  56. ADBUSTERS, The art fart issue. Sep/Oct2005, #61.VOLUME13 NUMBER 5. “Finding Fun”. Color illustration.
  57. Time Out London, no. 1829,2005. “China Art: Great Leap Forward”. By Martin Coomer. pp.26-27. “Night Revels of Lao Li”. color illustration.
  58. The Times-Knowledge, September 10-16 2005, UK. “Is China beginning to show new cracks?” by Morgan Falconer. P.38. “Night Revels of Lao Li”. Color illustration.
  59. PHOTONEWS, C3107, juni2005. Back Cover, “Requesting Buddha Series No.1”. color illustration.
  60. Contemporary, no.72 2005. London. “Dream Factory, Rubish Heap”, by David Spalding on Beijing’s Art District. p.30, “Archaeologist”; p.31, “Competition”. color illustration.
  61. The Sunday Times Magazine, December 11, 2005. London. “China Smashers”, by Beverley D’Silva. p.44, “Requesting Buddha Series No.1”; p.45, “Another Battle Series No.6”, “Preincarnation-middle”, and “Incarnation-right”. color illustration
  62. C International Photo Magazine, London. U.K. Number one 2005. p.79; “Thinker”; pp.80-81, “Dupond & Dupont”; pp.82-83, “Follow Me”; pp.84-89, “Romantique”; pp.90-91, “Competition”. Color illustration.
  63. Design Week, September 2005, UK. “A Great Scrawl of China” by Edward Barber. pp.7-8. “Night Revels of Lao Li”. Color illustration.
  64. Museums Los Angeles, Winter 2005. USA. “Going the extra miles: Top 10 shows in the USA.”. pp.124-125, “Night Revels of Lao Li”. Color illustration.
  65. Createurs du nouveau monde, Montpellier 01, France. 2005. p. 157, “Competition”, “Tramp”, and “Archaeologist”; p. 158, “Art Express” and “Follow me”; p. 159, “Requesting Buddha Series No.1”. color illustration.
  66. Travel+Leisure, April 2006. “Preincarnation”. P.233. color illustration.
  67. POL OXYGEN—DESIGN ART ARCHITECTURE, Issue 13 2005, Australia. pp.78-79, “Billboard”; pp.80-81, “Romantique”; pp.82-83, “Competition”; pp.84-85, “Sentry Post”; p.87, “Archaeologist”. Color illustration.
  68. Area 78, Architecture magazine, 2005. cover image “Follow Me”, color illustration.
  69. ART + AUCTION, March 2006. USA. “The China Effect”, by Barbara Pollack. P. 107, “Future”. Color illustration.
  70. B EAST, Issue 4, 2006. Poland. EURASIA issue: EAST EATS EAST. “Exploring the Chinese Torture of rapid westernization”, by Vijai. P. 24, “Requesting Buddha series No.1”; pp.26-27, “Beggar”; pp.28-29, “Knickknack Peddler”; p.30, “Another Battle Series No.7”; p.31, “New Women” and “Can I Cooperate with You?”; pp.32-33, “Dream of Migrants”; p.34, “Past”, “Night Patrol”, “Another Battle Series No.8” and “Forum”; p.35, “Future” and “Competition”. Color illustration.
  71. Ballettanz Europe`s leading dance magazine. Pp. 30-31, “Romantique”. Color illustration.
  72. PHOTONET, photo + culture. 2005 05. Korea. P.40, “Future”; p.41, “Can I cooperate with you?”; pp.42-43, “Romantique”; p. 43, “Thorny Ivy-Mao”. Color illustration.
  73. ART + AUCTION, INVESTING IN ART 2005-06, “Preincarnation” (right); pp.68-69, “Competition”. Color illustration.
  74. POLITICA EXTERNA. Brazil. Vol.15, no.1, junho/julho/agosto 2006. cover image: “Look up! Look up!”. Color illustration
  75. Digitalis Foto Magazin, June 2006. Budapest, Czech Republic. P.80, “Prisoner”; p.81, “Competition”; p.82, “Another Battle No.8”, “Archaeologist”; p.83, “Another Battle Series No.6”; p.84 “Catcher” and “Bath House”; p.85, “Take up the Pen, Fight till the End”; p.86 “Beggar” and “Follow Me”; pp.88-91, “China Mansion”, “Night Revels of Lao Li”; pp.92-93, “Romantique”; p.92, “Three Graces”; p.93 “Can I Cooperate with You?”. Color illustration.
  76. Art Review:. July 2006. London, UK. “Wang Qingsong: Anti-capitalist or Anti-socialist”, by Meg Maggio. P.95, “Home”; pp.96-97, “Dream of Migrants”; pp.98-99, “Knickknack Peddler”. color illustration.
  77. ART+AUCTION The international magazine for art collectors June 2006. p39 “Dormitory”. Color illustration.
  78. Dazed and Confused, June 2006. London. “Behind the Gloss: Wang Qingsong”. By Jason Jules. P.162. “Requesting Buddha Series No.1”, and “Preschool”. color illustration.
  79. Pimba!, No.44/2006. “Wang Quingsong”. “Tramp”, “Come! Come!”, “Dream of Migrants”; and “Night Patrol”. Color illustration.
  80. H Magazine, no. 76, Septiembre 2006. “Wang Qingsong” by Nacho Garcia. P.72, “Dupont & Dupond”; p.73, “Romantique” and “Can I Cooperate with You?”; pp.74-75, “Night Revels of Lao Li”, “China Mansion” and “Knickknack Peddler”; p. 74, “Preschool”; p.75, “Look up! Look up!”. Color illustration.
  81. kotimainen digikuvauslehti PLKSELI 09/2006. Finland. “WANG QINGSONG TODELLISUUTTA” by Johanna Hackman. p10, “Requesting Buddha No.1”; p12, “Catcher”; p13, “Dream of Migrants”， “Dormitory” and “Night Patrol”; p14, “Competition”; p15, “Beggar”. Color illustration.
  82. THE SUNDAY REVIEW. THE INDEPENDENT ON SUNDAY, 24 SEPTEMBER 2006. P.28. “Naked capitalism westem-style consumerism is sweeping China” by Marcus Field. pp.28-29, “Dormitory” and “China mansion”; pp.30-31, “Competition” and “Romantique”; p.31, “Follow Me”. Color illustration.
  83. Modern Painters, September 2006. pp. 106-107, “WANG QINGSONG”, Albion, June 9-July 31, 2006, by Osslan Ward. “Night Revels of Lao Li”. Color illustration.
  84. LABEL the Italian style magazine the bed issue autumn 2006. “EARTHLY UNCONSCIOUSNESS”. Pp.130-131, “Dormitory”. Color illustration.
  85. Marie Claire, ITALIA, OTTOBRE 2006. “La Cina ha Fatto Click” by Giovanna Amadasi. Pp. 378-379, “Competition”; pp.380-381, “Dormitory”; p.382, “Follow Me”; p.384, “Billboard” and “Another Battle Series No.6”; p.386, “MOMA Studio” and “New Women”; p.388, “Home”. Color illustration.
  86. Marie Claire, Greece, November 2006. pp. 86-87, “Competition”; pp.88-89, “Dormitory”; p.90, ““Billboard” and “New Women; p.91, “Another Battle Series No.6” and “Follow Me”; p.388, “MOMA Studio”. Color illustration.
  87. Paletten #2661 Nr 4 2006. p.3, “Preschool”; “Wang Qingsong”: pp.12-13, “Moma Studio”; pp.14-15, “Follow Me”. Color illustration.
  88. PAVILION, Contemporary Art & Culture Magazine, CHAOS/READER OF BUCHAREST BIENNALE 2. p.230, “Another Battle Series No.4”; p.231, “Competition”; p.232, “Another Battle Series No.6”; p.234, “Another Battle Series No.8”. Color illustration.
  89. Modern Painters, February 2007. DIARY: Matthew Collings. “Hopelessness vs. Optimism”. p.30, “production photo of “The Blood of the World”. Color illustration.”
  90. Samstag, 3. Februar 2007. AZ – Nummer 28, Kultur.? “Goldene Zeiten im Land ohne Lacheln” --- Memmingen Kunsthalle Zeigt faszinierende Bilder des Pekinger Fotografen Qingsong Wang und Terrakotten dazu. (newspaper) Color illustration.
  91. COURRIER JAPON Vol.027 1.04/18/2007. reused as “Naked capitalism westem-style consumerism is sweeping China” by Marcus Field. pp.71-72, “Follow me”; pp.71-72 , “Romantique”; ?pp69-70, “China Mansion”; pp. 69-70, “Commercial War”; pp. 66-67, “Dormitory”. Color illustration.
  92. Photograph Magazine, January 2007. Greece. Portfolio: Qingsong. Pp.38-39, “Follow Me”; pp.40-41, “Dormitory”; pp.42-43, “China Mansion” and “Romantique”; pp.44, “Present”; p.45, “Thorny Ivy-Mao”; p.46, “Heaven”; p.47, “Archaeologist”; p.48, “Thinker” and “Requesting Buddha Series No.1”. Color illustration.
  93. Photograph, January 2007. Porfolio/Qingsong. Pp.38-39, “Follow me”; pp.40-41, “Dormitory”; pp.42-43, “Romantique” and “China Mansion”; p.44, “Present”; p.45, “Heaven”; p.46, “Thorny Ivy-Mao”; p.47, “Archaeologist”; p.48, “Thinker” and “Requesting Buddha Series No.1”. color illustration.
  94. Inszenierte Fotografie, Bergische Universitat Wuppertal, Prof. Susan Lamer, Studentische Arbeiten 2001-2006. pp.8-9, “Night Revels of Lao Li”. Color illustration.
  95. Memmingen Monat Februar 2007. p.4, “China: Past, Present & Future”: Terrecotte Cinesi und inszenierte Fotografien von Qingsong Wang. Color illustration.
  96. Woche von1, bis 7, Februar 2007. Suddeutsche Zeitung Nr. 26/Seite 9, SZ Extra Stade & Land / Kinder. “Der Mythos des Asiatischen Wunders”: Die Kunsthalle Memmingen Prasentiert den Chinesischen Starfotografen Qingsong Wang.
  97. LAPIZ 228, Spain. Aspects of Chinese Art Today, by Laia Mononelles Moner. P.39, “Past” and “Present”.p.40, “Future”. Color illustration.
  98. Modern Painters, April 2007. “The Naked and The Dead”, by Matthew Collings. Pp.86-87, “Come! Come!”; pp.88-89, “Fotofest”; pp.90-91, “Night Revels of Lao Li”. Color illustration.
  99. A Special Section, Museums, The New York Times. Wednesday, March 28, 2007. New Works from China Command Attention, By Barbara Pollack.p.30, “Night Revels of Lao Li”. Color Illustration.
  100. Photograph, January 2007, Russia. Porfolio/Qingsong. Pp.38-39, “Follow Me”; pp.40-41, “Dormitory”; pp.42-43, “Romantique”, “China Mansion”; p.44, “Present”; p.45, “Thorny Ivy-Mao”; p.46, “Heaven”; p.47, “Archaeologist”; p.48, “Thinker” and “Requesting Buddha Series No.1”. Color illustration.
  101. Photo District News, June 2007. “China’s Photography Boom”, by Kristina Feliciano. P.56, “Past”; p.62, “Competition”. Color illustration. ?
  102. Magazine Trendsetter, 2007. p.078, “Poisonous Spider”; p.079, “Competition”; p.080, “Future”; p.081, “Present” and “Past”; p.082, “Another Battle Series No.6”; p.083, “Home”, and “Follow me”; p.084, “Dream of Migrants”; p.085, “Tramp”. Color illustration。
  103. Sunday Magazine, August 19, 2007. Korea. Cover image “Thorny Ivy-Coke”; back cover image “Thorny Ivy-Mao”; 16 gallery-gallery 17, “China Mansion”; “Sentry Post”; and “Knickknack Peddler”; color illustration.
  104. artnews New Zealand, Spring 2007. Flying Visits #1: Meet provocative UK art critic Matthew Collings. P.76, detail of “The Blood of the World”. Color illustration.
  105. Flashart, October 2007. “Competition”. Color illustration.
  106. Photolife, November 2007, Volume 32, Number 6, Canada. P.41, Portfolio “Wang Qingsong”. P.41, “The Future”; p. 42, “Preschool; pp.42-43, “Billboard” and “Follow Me”; p.43, “Competition”. Color illustration.
  107. Flashart, November 2007. “The Glory of Hope”. Color illustration.
  108. Garageland: Art, Culture and Ideas, Issue five: Beauty. “ECHOES IN ETERNITY”, by Dolly Thompsett. P. 49, detail of shooting “The Blood of the World”. Color illustration.
  109. Yishu: Journal of Contemporary Chinese Art, December 2007, Winter Issue, “Contemporary Chinese Art: To Get Rich is Glorious”, by Britta Erickson. P.12. “Requesting Buddha Series No.1”. color illustration.

Foreign catalogues and books:

1. SCONFINAMENTI, Palazzo Contarini, Venezia, 1999. Wang Qingsong, oil paintings, Speechless, 1997, 130x225cm, and 45x225cm, 174x225cm. color illustration.
2. BIG TORINO 2000: biennial of emerging artists, Italy. p.100, “Prisoner”; p.101, “Catcher”. Color illustration.
3. Man + Space, Kwangju Biennale 2000. Korea. P.109, “Catcher”; p.110, “Prisoner” and “Thinker”; p.111, “Requesting Buddha Series No.1” and “Requesting Buddha Series No.2”
4. activa human design management, 2001, Italy. P.192, “Prisoner”. color illustration
5. L’Album de la Famille Chine.-Septembre de la Photo, France, 2001. curated by Claude Hudelot. Pp.19-21, “Night Revels of Lao Li”. Color illustration.
6. Promenade in Asia: After Kitsch. Art Tower Mito-Contemporary Art Museum. Japan. 2001. pp.47-49, “Night Revels of Lao Li”. Color illustration.
7. NEXT GENERATION, PASSAGE de Retz, France, 2001. p.45, “Another Battle Series No.6”. color illustration.
8. China 2001 Dialogue-The Other-Italy 2002. Italy. pp.28-29. “Past, Present and Future”. Color illustration.
9. CROSS PRESSURES: Contemporary Photography and Video Art from Beijing, Finnish Museum of Photography, 2001. “Finding Fun” and “Bath House”. Color illustration.
10. 2002 Pingyao International Photography Festival. China.
11. Paris-Pekin, 5-28 October, 2002. Chinese Century, Ullens. Pp.194-195, “Night Revels of Lao Li”; pp.196-197, “Past, Present and Future”. Color illustration.
12. Dream 02, The Red Mansion Foundation 2002. p.041, “Past” and “Present”. P. 042, “Future”. Color illustration.
13. Money and Value/The Last Taboo, curated by Harald Szeeman, 2002. p. 168, “Another Battle Series No.6”, “Look up! Look up!”; p.237, “Past, Present and Future”. Color illustration.
14. Chinese Modernities, 2002, Brazil. Edited by Jean-Marc Decrop and Christine Buci-Blucksmann. Skira Publishers. Pp.52-53, “Night Revels of Lao Li”; p.53, “Finding Fun”. Color illustration.
15. OUT OF THE RED: CHINA ART NOW. 2002. Italy. p.57, “Art Express”; p.58, “Preschool”; p.58-59, “Knickknack Peddler”; p.60, “Preincarnation”; p.61, “Incarnation”. Color illustration.
16. PRAGUEBIENNALE 1: Peripheries becomes the center, 2003, Czech Republic. P.473, “Preschool” and “Knickknack Peddlar”. Color illustration.
17. Chinese Modernities, Brazil. 2003. Edited by Jean-Marc Decrop and Christine Buci-Blucksmann. Skira Publishers. pp.52-53, “Night Revels of Lao Li”. Color illustration.
18. A Strange Heaven—Contemporary Chinese Photography, Czech Republic, 2003. Edited by Susan Acret. pp.118-119. “Night Revels of Lao Li”. Color illustration.
19. Alors, la Chine?, Centre Pompidou 2003. pp.274-275, “Past, Present and Future”. Color illustration.
20. 2003 International Photography Festival in Moscow. Moscow House of Photography, organized by Olga Sviblova. Russia. pp.120-121, “Night Revels of Lao Li”. Color illustration.
21. POUR UN NOUVEL ART POLITIQUE, DE L’ART CONTEMPORAIN AU DOCUMENTAIRE, edited by Dominique Baque, Flammarion, 2003. cover image: Another Battle Series No.8. Color illustration.
22. Le Mois de La Photo at Montreal 2003. Wang Qingsong solo show at Saidye Bronfman Art Center, Montreal, Canada. pp.70-73, “Past, Present and Future”; p.74, “Another Battle Series No.7”; p.75, “New Women”. Color illustration.
23. NOODERLICHT X, Global>Detail. P. 41, “Can I cooperate with you?”, p.42, “Beggar”; p.43, “Another Battle Series No.6”; p.44, “Requesting Buddha Series No.1”; p.45, “Forum”; p.46, “Bath House”. Color illustration.
24. THE CHINESE: Photography and video from China. 2004 Wolfsburg Museum, Germany. P.60, “Preschool”; p.61, “Look up! Look up!”; pp.62-63, “Night Revels of Lao Li” and “Past, Present and Future”. Color illustration.
25. Exposure 2004. Hereford Photography Festival, UK. “Night Revels of Lao Li”. Color illustration.
26. Between Past and Future: New Photography and Video from China, 2004, curated by Christopher Phillips and Wu Hung. International Center of Photography and Asia Society; traveled to MCA Chicago; Seattle Museum of Art; Victoria and Albert Museum, London; House of World Cultures, Berlin, Germany; Santa Barbara Museum of Art, Los Angeles, USA; and Nasher Museum of Art, USA from 2004-2006. Steidl Publishers. p.27, “Past, Present and Future”; p.97, “Night Revels of Lao Li”. Color illustration.
27. THE CHINESE: Photography and video from China. 2004 Wolfsburg Museum, Germany. Pp.62-63, “Past, Present and Future”. Color illustration.
28. YOUNG ARTISTS from KOREA, CHINA and JAPAN 2004, National Museum of Contemporary Art, Korea. Pp. 148-149, “China Mansion”; pp. 150-151, “Follow Me”; pp.152-153, “Romantique”. Color illustration.
29. OFFICINA ASIA. MAZZOTT publishers. 2004. Italy. pp.168-169, “China Mansion”. Color illustration.
30. Out of the Red, published by Damiani, Bologna, Italy. 2004. p.179, “Another Battle Series No.8”; pp.180-181, “China Mansion” and “Romantique”; p.182, “Finding Fun”; p.183, “Bath House”; p.184, “Incarnation” and “Preincarnation”; p.185, “Requesting Buddha Series No.1”; pp.186-187, “Past”; p.188, “Present”; p. 189, “Future”; pp.190-191, “Follow Me”; pp.192-193, “Knickknack Peddler”; p. 194, “Preschool”; p.195, “Another Battle Series No.6”color illustration.
31. WAYS OF TELLING: PHOTOGRAPHY AND NARRATIVES, Thessaloniki Museum of Photography, Greece. 2004. p.82, “Look up! Look up!”; p.83, “Requesting Buddha Series No.1”. color illustration.
32. Imagenes de historia, PHE 2004, Spain. pp.106-107, “Past”; pp.108-109, “Present”; pp. 110-111, “Future”. Color illustration.
33. Wang Qingsong in Arras, Transphotographiques 2005, France. Pp.6-7, “Past, Present and Future”. Color illustration.
34. The 1st Pocheon Asian Art Festival 2005. Korea. Pp.228-229, “Past, Present and Future”. Color illustration.
35. OUT OF THE RED-2, The photographic session. “Archaeologist”, “Red Peony, White Peony and Frosted Peony” and “Ethereal Beauty”, “Thorny Ivy-coke and Thorny Ivy-Mao” and “Competition”. Color illustration.
36. BFF-KONGRESS HAMBURG 2005, Germany. Cover Image: Requesting Buddha Series No.1”; inside “Adam and Eve”. Color illustration.
37. ART PHOTOGRAPHY NOW by Susan Bright, UK, Thames & Hudson. 2005. pp.100, “Knickknack Peddler”, “China Mansion” and “Follow Me”; p. 101, “Romantique” and “Can I Cooperate with You?”. color illustration.
38. CHINaRT Contemporary Art. 2005, Museum Kuppersmuhle, Duisburg, Germany. P.95, “Look up! Look up!”; p.96, “Bath House”; p.97, “Can I Cooperate with You?” and “Beggar”. Color illustration.
39. Mahjong: Contemporary Chinese Art from the Sigg Collection, Kunstmuseum Bern, 2005. pp.112-113, “Past, Present and Future”. Color illustration.
40. FOLLOW ME: Chinese Art at the Threshold of the New Millennium, Mori Art Museum, 2005. pp.80-81, “Follow Me”; pp.82-83, “Red Peony, White Peony and Frosted Peony”.
41. BEYOND DELIRIOUS: ELLA FONTANALS CISNEROS COLLECTION, Miami, 2005. pp.92-93, “Competition”. Color illustration.
42. Photobiennale 2006, sixth Mois Intenrational de la Photographie at Moscow. P. 103, “Future”.
43. INGRES, edited by Jean-Pierre Cuzin and Dimitri Salmon, 2006. MENGES PUBLISHERS. Pp.252-253, “China Mansion” and “Fountain”.
44. Why Pictures Now, Museum Moderner Kunst Stiftung Ludwig Wien, 2006, Austria. Pp.142-143, “China Mansion”. Color illustration.
45. MiArt, 2006. p.213, “Come! Come!”. Color illustration.
46. LES RENCONTRES ARLES, Photography 2006, France. Pp.464-465, “Follow Me”; pp.466-467, “Dormitory”; pp.468-469, “Competition”. Color illustration.
47. La photographie panaramique, edited by Arnaud Frich, EYROLLES publishers. 2003. XXII-XXIII, “Knickknack Peddler” and “China Mansion”. Color illustration.
48. On the Edge: Contemporary Chinese Artists Encounter the West, by Britta Erickson. 2006
49. Acting the part PHOTOGRAPHY AS THEATRE. 2006. National Gallery of Art, Canada. p78, “Another Battle no.6”; p.150, “Beggar”. Color illustration
50. Ecotopia: The Second ICP Triennial of Photography and Video, USA. 2006. p.249, “Archaeologist”; pp.250-251, “Follow Me”; pp.252-253, “Come! Come!”. Color illustration.
51. International Exchange Exhibition of Modern Art, Seongnam Cultural Foundation. P.72, “Competition”; p.73, “Follow Me”. Color illustration.
52. Mirror Image of Diversity, “Follow Me”, “Dormitory”, “Dream of Migrants”, and “Competition”. Color illustration.

Foreign newspapers:

• Die Tageszeitung, Montag, 7, april 2003. “Bewusst so drastisch gelassen” by Andreas Merkel. P. 15, “Another Battle Series No.8” and “Another Battle Series No.6”; p. 16, “Another Battle Series No.4”. black and white illustration.
• Hong Kong Economy Daily, March 19, 2004. “Writings on Chinese Contemporary Art” by Zhang Zhaohui. “Can I cooperate with you?”. color illustration.
• THE NEW YORK TIMES, SUNDAY, JUNE 6, 2004. P. 28. “The Venus de China” by Barbara Pollack. “Romantique”. Color illustration.
• Duowei Times, June 25, 2004. “Gaudy Art of Humorous People with Desires” by Lu Shuping. B9, “Night Revels of Lao Li”, “Requesting Buddha Series No.1”, “Preschool”, and “Catcher”. Color illustration.
• Rocky Mountain News, Tuesday January 7, 2004, Denver, USA. 21D, “Thinker”. Color illustration.
• WESTWORD, 47, February 19-25, 2004, Denver, USA. “Knickknack Peddler”. Color illustration.
• NIGHT & DAY, NOVEMBER 11-17, 2004, The San Diego Union-Tribune. P.26, “Asian Fusion” by Robert L. Pincus. P.27, “Knickknack Peddler”. Color illustration.
• The Orange County Register, Sunday No.14, 2004. Arts and Entertainment. “Asia Then and Now” by Richard Chang. “Knickknack Peddler” and “Red Peony”. Color illustration.
• World Daily, July 1, 2004. “Between Past and Future: Documenting Changes of the Times” by Deng Chaozong. E13, detail of “Night Revels of Lao Li”. Color illustration.
• North County Times, Nov. 25, 2004, San Diego Clippping. “Past in Reverse: Contemporay Asian Art Exhibit Teems with Diversity” by Bill Fark. “Knickknack Peddler”. Color illustration.
• SUMMERSITE 2004, International Center of Photography, New York, USA. “New Photography and Video from China: Between Past and Future”, “Night Revels of Lao Li”. Black and white illustration.
• World Daily, Thursday July 1, 2004. “Between Past and Future: documenting the changes of the times” by Xie Chaozhong. Detail of “Night Revels of Lao Li”. Color illustration.
• The Guardian Monday October 4, 2004. “Dining Out: Celebrating a “wild modernity”. Detail of “China Mansion”. Color illustration.
• METRO, Friday, September 16, 2005. “Impressed by the West” by Fisun Guner. p.37, detail of “Night Revels of Lao Li”. Color illustration.
• THE INDEPENDENT, Thursday 15 September 2005, UK. “Enter the Dragon: Chinese art at V&A” by Louis Jury. p. 3, “Night Revels of Lao Li”. Color illustration.
• THE INDEPENDENT, Friday 20 January 2006, London, UK. P.14, “EAST MEETS WEST END” by Terry Kirby, images of Wang Qingsong Selfridge’s window project and “Requesting Buddha Series No.1”; p.15, portrait of Wang Qingsong for Selfridge’s project. Colored and black an white illustration.
• LE MONDE diplomatique, Deustsche Ausgabe, Oktober 2006. p.1, detail of “China Mansion”; p.3, “Flooding”; p.5, “Billboard”; pp.12-13, “Knickknack Peddler”; p.15, “Our Life is Sweeter than Honey”; p.17, “Competition”; . Color illustration.
• A Special Section Museums, The New York Times, Wednesday March 28, 2007. “Works from China Command Attention” by Barbara Pollack. Currents. Detail of “Night Revels of Lao Li”. Color illustration.
• Weekly of Overseas Chinese, April 14, 2007. “New Works of Chinese Art Awaken the World”. “Night Revels of Lao Li”. Color illustration.